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a brief derive through athens in the third order of time: the eternal return of the inevitable and unforeseen...
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Memory might be a kind of writing, and I want to consider how the topography of the page, this coming-in-to-being of the thinking/writing...
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Why is the secret agent the object of our fictive obsession?
Is it because we are not sure who this war is against, who the criminal is or...
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a record of a performance "dancing with myself" intercut with Rita Hayworth dancing in Fire Down Below (1957)
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dancing the gesture life of myth and memory , an incipient laugh becomes.
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A record of Alev Adil's multimedia performance of an extract from "Memory in the Dead Zone" at the Experimental Poetry Festival held by...
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alev adil rehearsing jocasta with hazim kamaledin
Oedipus by Seneca, respaced:
Why art benumbed, my soul? Since thou hast shared
his guilt...
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What shall be the hope when the last glimpse of hope is lost? Shall we yet again attempt to ‘rethink’ old models?
Or, shall we be given the...
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The Summer School in Electronic Theatre took place from 1st to 12th August at the Greenwich campus. The school consisted of several...
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Studio for Electronic Theatre
Oedipus at Tate Britain
Apocalyptic Cybernetic Theatre ACT – OEDIPUS
Tate Britain, Duveens Gallery, 4...
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ACT will be presenting a sci-fi adaptation of Seneca’s Oedipus, a new durational immersive digital theatre work involving performers and...
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A diverse collection of Art that influences and inspires me in what I do.
